Helen Marten
Plank Salad
23 November 2012 – 27 January 2013
Opening: Friday 23 November

A solo exhibition by Helen Marten, featuring a new body of sculptural works set within a bespoke installation environment. This is Marten’s first solo exhibition in a UK public gallery.

In her installations, sculptures and videos, Marten plays upon our reference systems of physical stuff and a coding of the visual that establishes our most elemental relationships to the material world. Language and image become stylised outings of error, misalignment or perversion. Using the outlines of recognisable things as shorthand emblems for social activity or exchange, Marten explores what it means to be a human body preoccupied with the status of toothpaste, the floppiness of pasta or the eroticism of rubbish.

Marten creates a symbolic, pictographic landscape where the banal formlessness of informational compression meets the brute force of a more awkward slapstick narrative – at once seductive and ludicrous. Trash is pedastaled, desks are frustrated and chairs libidinous; alcohol lubricates the graphic, and translations of known things are scrambled and rewritten.

Marten revels in what she describes as the ‘speed’ of the materials she uses. Components such as wood, steel, Formica or clay are butted up against elements more commonly found in domestic interiors, or the things you might keep in your pocket or trip over in the street. Materials are used as punctuations of and within surface; snags and seams settle in places where we are accustomed to seeing totalised pictures, and a perishable tea bag is assumed as worthy of content or gravity as a perfectly sealed steel unit.

In a text written by Marten to accompany her Chisenhale exhibition she departs from a consideration of carbohydrate to explore the processes by which matter is transformed through linguistic operations rendered physical. The crisp definition of salad is contrasted with the mysterious gloopiness of other, starch filled foodstuffs to consider the question: ‘what happens to image when substance goes on a diet?’ The ‘plank salad’ of the exhibition’s title conjures an image with uncomfortable physical implications and infinitely dumb, yet comic possibilities.

Helen Marten (born 1985, Macclesfield) lives and works in London. Recent solo exhibitions include Evian Disease, Palais de Tokyo, Paris (2012); Dust and Piranhas, ‘Park Nights’, Serpentine Gallery (2011); Take a stick and make it sharp, Johann König, Berlin (2011) and Wicked Patterns, T293, Naples (2010). Recent group exhibitions include New pictures of common objects, MoMA PS1, New York (2012); March, Sadie Coles, London (2012); The New Public, Museion, Bolzano (2012); Standard operating procedures, Blum and Poe, Los Angeles (2012) and Hasta Mañana, Greene Naftali, New York (2011). Marten received the Lafayette Prize 2011 and the LUMA Award 2012.

Marten’s Chisenhale exhibition, Plank Salad, is co-commissioned with Kunsthalle Zürich where its first iteration Almost the exact shape of Florida ran from August to November 2012.

The exhibition will be reconfigured at CCS Bard, USA in June 2013. Marten’s first monograph with texts by Michael Archer, Ed Atkins, Kit Grover, Aaron Flint Jamison, Beatrix Ruf, Polly Staple and Richard Wentworth, edited by Kunsthalle Zürich in collaboration with Chisenhale Gallery and CCS Bard will be published by JRP/Ringier.

Helen Marten’s exhibition is supported by The Henry Moore Foundation, The Cranford Collection and the Helen Marten Supporters Circle. With thanks to T293, Johann König and Sadie Coles HQ.

Chisenhale Exhibitions Partner 2012: Outset Contemporary Art Fund.

Click here to download the exhibition handout, which includes an interview with Helen Marten.

Helen Marten

9 colour screen print on Somerset Satin 310 gsm paper
42 x 59.4 cm
Edition of 65 + 10 AP, signed and numbered

SOLD OUT

Chisenhale Gallery presents a solo exhibition by Helen Marten, featuring a new body of sculptural works set within a bespoke installation environment. This will be Marten’s first solo exhibition in a UK public gallery.

In her installations, sculptures and videos, Marten plays upon our reference systems of physical stuff and a coding of the visual that establishes our most elemental relationships to the material world. Language and image become stylised outings of error, misalignment or perversion. Using the outlines of recognisable things as shorthand emblems for social activity or exchange, Marten explores what it means to be a human body preoccupied with the status of toothpaste, the floppiness of pasta or the eroticism of rubbish.

To accompany her Chisenhale Gallery exhibition Marten has made a limited edition screen print, which directly references a wall piece made for the exhibition.

Helen Marten (b.1985, Macclesfield) lives and works in London. Her recent exhibitions include Serpentine Sackler Galleries (2016); Greene Naftali Gallery, New York, USA (2016); Hepworth Sculpture Prize, Hepworth Wakefield, UK (2016). Previous solo exhibitons include: No borders in a wok that can’t be crossed, CCS Bard Hessel Museum, Annandale-on-Hudson, New York (2013); Plank Salad, Chisenhale Gallery, London; Evian Disease, Palais de Tokyo, Paris; Almost the Exact Shape of Florida, Kunshalle Zurich, Zurich (all 2012); Take a stick and make it sharp, Johann König, Berlin (2011) and Wicked Patterns, T293, Naples (2010). Recent group exhibitions include The Encyclopedic Palace, 55th Venice Biennale; Lyon Biennale, Lyon; 59th Oberhausen International Film Festival, Oberhausen, Germany (all 2013); New pictures of common objects, MoMA PS1, New York (2012); March, Sadie Coles, London (2012); The New Public, Museion, Bolzano (2012); Standard operating procedures, Blum and Poe, Los Angeles (2012) and Hasta Mañana, Greene Naftali, New York (2011). This year, she has been awarded the Hepworth Prize for Sculpture and the Turner Prize, and has previously received the Lafayette Prize in 2011 and the LUMA Foundation Award 2012

For more information about the exhibition and to see images click here.

  • Helen Marten limited edition print
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  • Chisenhale Gallery Friends and Patrons receive 10% discount on limited edition prints and publications priced up to the value of £3,500 For information about how to join the Friends and Patrons Programme please click here.

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Helen Marten
Thursday 6 December

Thursday 6 December 2012
Watch a video recording of artist Helen Marten and Chisenhale Director Polly Staple discuss Marten’s Chisenhale Gallery exhibition Plank Salad in relation to Marten’s wider practice.

Saturday 15 December 2012
In conjunction with Helen Marten’s 2012 Chisenhale Gallery exhibition Plank Salad, critic and writer Michael Archer leads a tour of the show.
Plank Salad: Coffee morning

Wednesday 28 November, 9 – 10.30pm

A coffee morning and special viewing of Helen Marten’s exhibition. Cakes are generously provided by the East End Women’s Institute.

Cara Tolmie Workshop

Saturday 1 December, 2 – 5pm

Chisenhale Gallery’s Neighbourhood Residency artist, Cara Tolmie, leads a free drop-in family workshop.
All welcome, children under 12 must be accompanied by an adult.

Helen Marten in conversation with Polly Staple

Thursday 6 December, 7pm

Helen Marten in conversation with Chisenhale Gallery Director, Polly Staple.
Tickets: £5, available from wegottickets.com.

Plank Salad: Michael Archer leads a tour

Saturday 15 December, 2pm

Critic and writer Michael Archer leads a tour of the exhibition.
Tickets: Free but booking is advised. Please contact mail@chisenhale.org.uk to reserve a place.

Screening selected by Helen Marten

Saturday 19 January, 4pm

A screening selected by Helen Marten, including films by Gabriel Abrantes, Trisha Baga, Phyllis Baldino, Sarah Morris, Seth Price, Stuart Sherman, Michael Smith and Yello. Please click here to download the programme notes with information about all of the films screened.