Lawrence Abu Hamdan
Earwitness Theatre
21 September 2018 – 9 December 2018
Opening: Thursday 20 September, 6.30 – 8.30pm

Chisenhale Gallery presents a new co-commission by Beirut-based artist and ‘private ear’, Lawrence Abu Hamdan. Earwitness Theatre develops Abu Hamdan’s enquiry into the political effects of listening, presenting a new commission that explores the hallucinatory world of the earwitness. Abu Hamdan’s exhibition is commissioned and produced by Chisenhale Gallery in partnership with: Witte de With Center for Contemporary Art, Rotterdam; Contemporary Art Museum St. Louis; and Institute of Modern Art, Brisbane and it will be presented at the partner venues throughout 2019.

Abu Hamdan’s work questions the ways in which rights are being heard and the way voices can become politically audible. In 2016 Abu Hamdan was asked to create dedicated earwitness interviews for Amnesty International and Forensic Architecture, Goldsmiths, University of London’s investigation into the Syrian regime prison of Saydnaya. It is estimated that as many as 13,000 people have been executed in Saydnaya since 2011. Inaccessible to independent observers and monitors, the violations taking place at the prison are only recorded through the memory of those few who are released. The capacity for detainees to see anything in Saydnaya is highly restricted as they are mostly kept in darkness, blindfolded or made to cover their eyes. As a result, prisoners develop an acute sensitivity to sound.

During the interviews with Saydnaya survivors Abu Hamdan used BBC and Warner Brothers Sound Effects Libraries, as well as encouraging the mouthing-out of sounds and the use of test-tones, to gain insight into the actions taking place inside the prison. Unsatisfied by the imprecision of the sound effects used for feature film and television, Abu Hamdan has since amassed his own sound effects library, specific to the investigation of earwitness testimony.

For his exhibition at Chisenhale Gallery Abu Hamdan presents this expanded library of objects for the first time. Earwitness Inventory (2018) is comprised of 95 custom designed and sourced objects all derived from legal cases in which sonic evidence is contested and acoustic memories need to be retrieved. Tuning into earwitnesses descriptions, such as a building collapsing sounding “like popcorn” or a gunshot sounding “like somebody dropping a rack of trays,” Abu Hamdan’s new installation reflects on how the experience and memory of acoustic violence is connected to the production of sound effects.

Alongside this installation, which includes pinecones, cannelloni pasta, unwound video tape, a selection of shoes and a series of customised door instruments, is a new animated text work that further reveals Abu Hamdan’s acoustic investigation into Saydnaya, as well as earwitness testimonies from legal cases across the world. Central to the exhibition, and surrounded by this collection of objects is a contained listening room hosting the audio work Saydnaya (the missing 19db) (2017). In this work Abu Hamdan oscillates between listening to the testimony of former detainees and listening to their reenacted whispers as a form of sonic evidence in itself.

Both installations presented as part of Abu Hamdan’s new exhibition explore what can emerge from audio-focused investigations, examining the role of artifice, illusion and creative labour in the construction of evidence and the specific truth that artists, and artwork, can produce. Earwitness Theatre comments on the processes of reconstruction, addressing the complexity of memory and language, and the urgency of human rights and advocacy. What will emerge through this process is a body of work that testifies to the threshold of an experience – where sounds are remembered as images, where objects have unexpected echoes, and where silence becomes an entire language.

As part of this new body of work, Abu Hamdan will also present his expanded video installation Walled Unwalled (2018) and new performance After SFX (2018), at Tate Modern, London from 1 October to 7 October 2018 (performance on 4 October). The sounds, voices and texts that comprise the performance are derived from objects included in Earwitness Inventory, giving audiences the opportunity to see and hear the project in its entirety across the two galleries.

As part of the commissioning process, a series of discursive events have been programmed in collaboration with Abu Hamdan and run throughout his exhibition, and contribute to the organisation’s Engagement Programme. Abu Hamdan’s exhibition continues Chisenhale Gallery’s programme for 2018, which includes major new commissions by artists Lydia Ourahmane, Paul Maheke and Banu Cennetoğlu. Through his work, Abu Hamdan raises questions concerning how history is constructed in order to examine the production, distribution and consumption of knowledge, themes that recur throughout Chisenhale Gallery’s programme for 2018.

Biography:

Lawrence Abu Hamdan (b. 1985, Amman, Jordan) lives and works in Beirut, Lebanon. Recent solo exhibitions include: Hammer Projects: Lawrence Abu Hamdan, Hammer Museum, Los Angeles (2018); Maureen Paley, London (2017); Earshot, Portikus, Frankfurt (2016); Taqiyya, Kunsthalle St. Gallen (2015); Tape Echo, part of Positions, Van Abbemuseum, Eindhoven (2014); Aural Contract: The Freedom of Speech Itself, The Showroom, London (2012). Selected group exhibitions include Sharjah Biennial 13, Sharjah; Strange Attractor, Ballroom Marfa, Texas (all 2017); 9th Liverpool Biennial, Liverpool; (all 2016); British Art Show 8, Hayward Gallery, London and touring; Surround Audience, New Museum Triennial, New York (both 2015). Abu Hamdan was the recipient of the Abraaj Group Prize and the Baloise Art Prize (both 2018).

Earwitness Theatre is commissioned and produced by Chisenhale Gallery in partnership with: Witte de With Center for Contemporary Art, Rotterdam;Contemporary Art Museum St. Louis; and Institute of Modern Art, Brisbane and it will be presented at the partner venues throughout 2019.

Lead supporters of Lawrence Abu Hamdan’s exhibition at Chisenhale Gallery’s are: Shane Akeroyd; and The London Community Foundation and Cockayne – Grants for the Arts.

Lawrence Abu Hamdan’s exhibition at Chisenhale Gallery is also supported by: The Henry Moore Foundation; and Muriel and Freddy Salem, Cranford Collection. With additional support from Mark Hix and HIX Restaurants and the Lawrence Abu Hamdan Supporters Circle. With thanks to Maureen Paley, London.

Saydnaya (the missing 19db) (2017) was commissioned by Sharjah Art Foundation.

Chisenhale Gallery’s Commissions Programme 2017–19 is supported by the LUMA Foundation.

Chisenhale Gallery’s Curatorial Trainee Programme 2016–18 is supported by Sirine and Ahmad Abu Ghazaleh.

Chisenhale Gallery’s Engagement Programme 2018 is supported by the Engagement Programme Supporters Circle.

 

  • READING LIST
  • To download the exhibition handout, which includes the exhibition text, please click here.

  • Chisenhale Interviews
  • frieze

    “The ear’s limitations create opportunities for dissimulation and control among those who regulate borders or mete out punishments. at the same time, the ear is often permitted to witness what the eye, whose power is recognized, cannot.” – Ben Mauk, frieze

  • Events
  • AUDIO/VIDEO
  • Chisenhale Gallery
    64 Chisenhale Road
    London E3 5QZ

    T: +44 (0)20 8981 4518 mail@chisenhale.org.uk

    For media enquiries please contact:
    media@chisenhale.org.uk or
    Ellen Greig on +44 (0)20 3328 1964 or ellen.greig@chisenhale.org.uk



Lawrence Abu Hamdan
Friday 5 October, 12pm

Lawrence Abu Hamdan is joined in conversation with Stuart Comer, Chief Curator of Media and Performance Art, Museum of Modern Art, New York.

Thursday 1 November, 6pm

Reema Salha Fadda gives a talk in response to Lawrence Abu Hamdan’s new commission, drawing on her research into Arab visual cultures and the political economy of knowledge production. Reema Salha Fadda is a writer, editor and researcher.

Thursday 22 November, 6pm

Joe Banks, author of Rorschach Audio – Art & Illusion for Sound (2012) gives a talk exploring mechanisms of auditory perception, in response to Lawrence Abu Hamdan’s new commission.

Joe Banks responds to Lawrence Abu Hamdan’s new commission

Thursday 22 November, 7 – 9pm

Joe Banks, author of Rorschach Audio – Art & Illusion for Sound (2012) gives a talk exploring mechanisms of auditory perception, in response to Lawrence Abu Hamdan’s new commission. To reserve a place please visit our Eventbrite page here.

Lawrence Abu Hamdan ‘After SFX’

Thursday 4 October, 8 – 9pm

After SFX
The Tanks, Tate Modern, Bankside, London, SE1 9TG
Tickets: £10/£7 concessions

In association with his new commission at Chisenhale Gallery, Lawrence Abu Hamdan presents After SFX (2018) at Tate Modern, London. The sounds, voices and texts included in this new site-specific performance derive from Abu Hamdan’s installation, Earwitness Inventory (2018). Abu Hamdan’s expanded video installation Walled Unwalled (2018) will be on view at Tate Modern from Monday 1 October to Sunday 7 October and is free to attend. For full details and how to book, please visit the Tate website: www.tate.org.uk

Curator’s Talk and Late Opening

Thursday 6 December, 7 – 9pm

Ellen Greig, Curator: Commissions at Chisenhale Gallery gives an introduction to Lawrence Abu Hamdan’s new exhibition. This event is programmed in association with First Thursdays, when galleries across east London stay open until 9pm on the first Thursday of each month. This event is free to attend but booking is recommended. To reserve a place please visit our Eventbrite page here.

Early Morning Viewing of Lawrence Abu Hamdan’s Exhibition

Friday 30 November, 9 – 10.30am

An early morning viewing of Lawrence Abu Hamdan’s exhibition with an introduction to Abu Hamdan’s work by Amrita Dhallu, Curatorial Assistant: Commissions at Chisenhale Gallery. Coffee and cakes are generously provided by the East End Women’s Institute. This event is free to attend but booking is recommended. To reserve a place please visit our Eventbrite page here.

Talk by Reema Salha Fadda

Thursday 1 November, 7 – 9pm

Reema Salha Fadda gives a talk in response to Lawrence Abu Hamdan’s new commission, drawing on her research into Arab visual cultures and the political economy of knowledge production. Reema Salha Fadda is a writer, editor and researcher. This event is free to attend but booking is recommended. To reserve a place please visit our Eventbrite page here.

Sound workshop for children led by the Soundhoppers

Saturday 13 October, 2 – 4pm

The Soundhoppers, a sound exploration playgroup run by Wajid Yaseen and Mara Bueno, lead a workshop for children (5 – 11 years) and their parents or carers exploring deep listening in response to Lawrence Abu Hamdan’s exhibition. This event is free to attend but booking is recommended. To reserve a place please visit our Eventbrite page here.

Lawrence Abu Hamdan in conversation with Stuart Comer

Friday 5 October, 12 – 1pm

Lawrence Abu Hamdan is joined in conversation with Stuart Comer, Chief Curator of Media and Performance Art, Museum of Modern Art, New York. This event is now fully booked. A recording of this event will be made available online via Watch, Read, Listen here. For more information on all exhibition events, visit our Eventbrite page here.